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Change and Play = Productivity is unfortunately hard to achieve as we are bombarded 24/7 in our real world with trying to share our part of the load.

All artists strive for a good balance between their artist’s time and personal lives.  Vacations and time away from the easel are essential to good health and career.

Here are 3 suggestions to help you to remember that Change and Play = Productivity

1.  Sit and do nothing

Yes, that’s what I said, because answers come more easily if you let your problems rest for awhile.  Daydream, it’s been said that children that are encouraged to daydream have a higher IQ.  Why can you not do this for yourself?  I know we have all the responsibility of keeping our families, art business, etc going but, it’s so important to take care of yourself.

2.  Play makes you joyful…

You play, forget about that painting that just won’t tell you how it wants to be painted and when you get back to it, your head is clear.  Your easel time will be more productive and the problems that had no solution are easily solved.

3.  Ask questions…

If you are the type artist that feels your questions are not important or you’re afraid of feeling that you’re asking a dumb question, then change that.  Ask questions then be willing to follow up to see for yourself if the answers are what you need.

Change brings opportunity and so does play! You can go with the flow and embrace these two essential elements or become a victim and accomplish far less than you are capable of.

I’m always here to answer your questions at yellowcreekart@gmail.com

Go over to http://ArtistsPerspectivePodcast.com and download the complete podcast on this subject.  You can listen in your car as you run between errands, or on your lunch hour and for inspiration on your way to work.

Podcast#4  Artist's Perspective Podcast_opt  resized podcast photo

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In “The Art Spirit” written by Robert Henri, he tells us that “There is a color over all colors which unites them and which is more important than the individual colors. At sunset the sun glows. The color of the grasses, figures and houses may be lighter or darker or different, but over each there is the sunset glow.”

To capture a sunset’s glow, is the situation I found myself in on a cold, windy afternoon. this situation and this painting demonstrates the glow of a winter afternoon. It was freezing cold and windy when a marvelous sunset appeared. It was my intention to capture this sunset’s glow and the couple that came and sat down on a wall, all bundled up in their winter coats and sitting very close to ward off winter’s cold.

Capture the Sunset Glow

Capture the Sunset Glow

Information about this painting is at http://ElleneBreedloveDavis.com/paintings

All colors are moody colors, they influence a mood depending

Artists Moody Color

Artists Moody Colors

on the colors that are the artist’s personal preference. In today’s world, artists have the freedom to express any mood in their art.

Artists should take into consideration three things before the painting begins or is in the planning stage.

1.  Who will you paint this piece for?

2.  What are your patrons or collectors color preferences?

3.  What is their favorite time of year and subjects?

Is this painting for a sophisticated home or office with an abstract appeal, or where the work force is young, energetic and on the way up? Use a totally modern and abstract painting with a few bright colors added for emphasis?

Or, for the traditional home where there are several in the family, and the ages of family members and their interest are taken into consideration? For young parents and children choose a landscape with animals and people.  Be sure to use warm and cool colors in a spring painting, as spring denotes new beginnings.

Does your collector like to travel? I personally know of a couple of not yet middle age people that are world travelers and like a wide variety of colors and subjects to decorate their home.  These collectors would enjoy a sentimental painting depicting a special place they have visited.

Many retired collectors have downsized and moved away from the time deadening pace of the business world into beautiful mountain cabins where a brilliant fall painting would fit their decor and new style of life where time is less important.

The study of color and art make an intriguing study and has lasted for many years for me.  I love to see the colors come to life and study the different preferences in my collector’s paintings.

If you are interested in watercolor painting and want to discover that warm, enthusiastic and spontaneous feeling of painting, or feel passionate about your work again, then consider downloading “100 Tips for Watercolor, Landscape Painting” at http://ValleOfYellowCreekArtStudioBlog.com/100tipsoptin.html   You will receive a Thank You note from me and also be able to purchase and download “Art Tutor.  This $14.95 per month program teaches watercolor, oils and pastels with several different teachers.

We all need a teacher or coach and this program is always available for you to learn from.  If you have a problem getting to art class, then do it my way and sign up for “100 Tips for Watercolor, Landscape Paintng.” http://ValleofYellowCreekArtStudioBlog.com/100tipsoptin.html and “Art Tutor” while you’re at this link.

Original Watercolor Painting - Maine Trees

Original Watercolor Painting – Maine Trees

Original Watercolor Painting|Maine Trees

On a visit to Rockland, Maine I visited my dear friend, L Jaye Bell.  L Jaye went with me to the Farnsworth Museum where we studied the original paintings of the Wyeth’s.  The colors and light displayed in their paintings are breathtaking, no matter which medium was used. The Farnsworth Museum features paintings from all three generations of Wyeth’s, N C, Andrew and James.

Needless to say I came home from this trip ready to paint.

Maine Trees is the first of a series titled “Maine Trees” that were painted as a result of this visit.

My love for transparency shows in this painting and the use of trans-parent grays make this a happy painting.

Two different sets of complimentary colors are in this painting.  As you know complementary colors are colors that are directly across from each other on the color wheel.

The first set of complementary colors I see are blue and orange with the blue placed just under the orange leaves.

The second set of complimentary colors are the violet and yellow.

When one primary color and its compliment are mixed the colors become a secondary color and grayed.  These grayed, semi-transparent colors have their place in a painting as does the primary, transparent colors.

The primary colors I probably used, even tho I didn’t make a note of them, are Aureolin Yellow, Cobalt Blue and Rose Madder Genuine.  These are pigments I use often in my paintings.

The painting  above is painted with this type information. Maine Trees was painted with a warm and cool palette on 140 lb cold press watercolor paper.  It is an 8 x10 and not matted or framed. Can be shipped in a mailing tube. For more information on this and other paintings go to http://ElleneBreedloveDavis.com/paintings

I would love to teach you how to paint these beautiful colors in paintings of your own.  You can sign up for 52 weeks of  free watercolor painting instruction by clicking on http://valleofyellowcreekartstudioblog.com/videoseries.html or contact me at yellowcreekart@gmail.com

This program teaches from the beginning how you can buy a watercolor palette then goes to how to buy paper and brushes and then into color, and how to use all this wonderful watercolor knowledge to paint your pictures.

Won’t you join other beginning artists at http://valleofyellowcreekartstudioblog.com/videoseries.html and begin learning new skills today!


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