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The word essence is described as follows: The most important ingredient: the crucial element.

Creativity is the ability to transcend traditional ideas and to create new ideas, methods, interpretation, originality or imagination.

How could one use the essence of creativity, their way you might ask?

Here are tools to help you use the essence of your creativity:

A certain expertise in whatever area you chose to work in. If you have no knowledge in this chosen field, odds are you won’t make the next fantastic breakthrough in this field.

Find the field that you are passionate about. Imagine a whole realm of possibilities in that field.

Have persistence – that determination to keep on turning your goal over and over in your mind, until you know what you must know to be successful.

Know when to look at things in a different light. If it’s a painting, turn it upside down or hold it to a mirror and you will see places that need your attention.

Have courage, take creative risks and try new things, things that you’ve never thought that you would or could do.

Be open to new opportunities and possibilities as they present them themselves to you.

Know beyond a shadow of a doubt that your desire to succeed will take you to your goal.

Make your idea work, no matter what.

Face any creative challenge with the mind of a child. Make each work period a play period.

Childlike creativity can and should be studied and imitated. Can you think that anything is possible?
If you think you are not creative your thoughts will be telling you “I can’t, but the creative mind will be spurring you on telling you “I can, and here’s how I’ll make it happen.” You obviously can see, speak, hear, remember and understand, so you are creative!

Never say you don’t have a creative bone in your body, that is misleading for you, because whether you believe you can or can’t, you’re right.

Believe in your creativity and seek guidance from others that have used these ideas to reach their goals.

A few weeks ago, I felt my creative spirit urging me to compile some of the writings that would be meaningful to you and encourage the essence of your creativity.

You will find these writings compiled into a Special Report – Choosing To Be An Artist – For A Lifetime. Just enter your name and email address and this report is on its way to you. In the first chapter there is an interview with an artist that has always worked from the essence of her creativity. I know you will enjoy reading her story.

Remember to “Honor Your Creative Spirit!”

Ellene
Ellene Breedlove Davis

P. S. I’m sending you a special invitation to join me each Wednesday at 10am on Blog Talk Radio. The call in number is 347-326-9962. If you are not able to listen to the live show, “The Landscape Artist Speaks”, go to the archives at http://ellenebreedlovedavisradio.com and listen there.

I appreciate your participation in my artistic journey so very much!

So you want to become an artist?

“Can you tell me how you got to where you are with your work. I mean, my art is all over the place. I don’t know where to begin or when to finish. There’s no commonality in anything I am making. How do I make paintings like the ones that you do?” (Questions taken from Nancy Reyner’s “Painting Blog” January 8, 2010).

My answer to these question would be – you choose to be an artist for a lifetime! There are times when you would much rather be doing something else and not sit at that art show in the hot sun. But, you have chosen to be an artist.

How long will it take to paint a cohesive body of work? Do you have a subject that you are passionate about? Then paint a series of work that accentuates this passion. Set a number for the amount of paintings you will paint for the series, when the series is finished, you will have a much clearer picture of what and how you want to be known for.

Practice makes perfect and your art is no exception. After deciding on the type painting to paint for the series, the number of paintings in the series, then the hard part begins.

How much experience do you have in the type painting that you have selected? If it’s not much, then your time will be longer. Practice, practice, practice. Even tho I’ve painted for 30+ years, if I decide to paint something in a style that I haven’t perfected, it takes many hours of practice before I feel I have mastered the techniques such as the way to hold my brush, or lay down the colors and on which ground do I want to paint this picture.

I have always been a landscape artist, but I’ve grown in that I started with oils, when I was called away from my easel for a while, due to the illness of my daughter, I didn’t want to paint with just oils anymore. While I wasn’t painting I read watercolor and pastel books and learned that other mediums offered beautiful ways to express my creative spirit also.

But, when I was back at the easel, there was much practice that had to be done and I accumulated quite a stack of used watercolor and pastel paper before I had a painting that was good enough to exhibit.

If you have chosen to become an artist, I invite you to download “Choosing To Be An Artist – For A Lifetime”, the first chapter is an interview with an artist that has been an artist for a lifetime. I think you will enjoy this Special Report and gain insight and encouragement for your artistic journey.

Ellene
http://ElleneBreedloveDavis.com
http://ElleneBreedloveDavisRadio.com
http://facebook.com/ElleneBDavis
http://twitter.com/ElleneBDavis

Beneficial tips for pulling your painting together with glazing. I invite you to keep a notebook either on a notes program in your computer or on paper for these tips.

Painting with only a single color wash makes a clear color. But, a single wash does not make the brilliant color wanted, in most cases.

1. Use transparent colors near each other on the color wheel.

2. Use a soft brush and gentle hand to apply the paint.

3. Glaze to add brilliance, in the shadows, texture and depth of paintings.

4. When we glaze we add another color over the dried, first color, which gives a greater richness or glow than one color alone.

5. Adding glaze to a shadow impacts the way light and dark play against each other.

6. Glazing helps to emphasize the contrast between light and dark.

7. At times you may place as many as 6 glazes to get the effect you want.

8. Glaze can be applied warm transparent color over warm transparent color, or cool transparent color over cool transparent color.

9. Another way is to lay down the warm color first and lay the cool color over it.
Glazing can bring wonderful effects to oil paintings or watercolor paintings. The technique for glazing oils is just a bit different.

10. Especially in watercolors, only go over the area once. This needs to be very dry before applying the next color.

11. In her book”Building Brilliant Watercolors, Judy D, Treman advises to apply reds last.
The reason being they go everywhere if a drop of water or wet brush happens to touch them. She also advises to paint reds with a single, smooth wash.

Glazing is a technique I frequently use and experiment with. I think it’s fun and effective.

Ellene
Ellene Breedlove Davis
P S To see my paintings click on http://ellenebreedlovedavis.com

After the watercolor workshop in South Georgia, on Saturday, I’ve returned to a cold and snowy North Georgia.

There were 7 students (3 new) in class. These are often ladies that have known each other for a lifetime. They are serious about learning watercolor fundamentals! They do not take this workshop lightly.

The subject this month was a poppy. Everyone had a great picture, even the ones that had not painted before.

Would you like to learn to paint with watercolors? They are more forgiving than everyone thinks. In fact, several students made note of this when I was showing them that changes are relatively easy with watercolors.

Contact me,(just click the Contact button at the top of the blog) and tell me YOU want to learn to paint with watercolors.

“Honor Your Creative Spirit!”

Ellene
Ellene Breedlove Davis
http://ellenebreedlovedavis.com
http://ellenebreedlovedavisradio.com
http://twitter.com/ellenebdavis
http://facebook.com/ellenebdavis

The variety of our paintings is dependent on many factors.

These are some areas of variety could be described as variety of shape, variety of tone values, variety in edge shapes, variety in texture and a variety in graduation.

Each of these elements has a rhythmic quality of its own and it’s a long list.

The shape of variety is one of the most common things found in nature.

To give our paintings life and interest, try to draw a row of trees. All about the same height and the same distance apart, from your imagine.

Do you see how hard it is to get nature into them?

No matter how imaginative you may be, or how far you are able to go with design, there comes a time when it will be imperative that you study from nature.

To see how I use nature to inspire my paintings. Opt in to receive the Valle of Yellow Creek Art Studio E-Zine and receive a short report “Choosing To Be An Artist – For A Lifetime as a free gift to you from me. You will enjoy and learn more important art information in the E-Zine and Report. The E-Zine is published on the 1st and 3rd Saturday.

“Honor Your Creative Spirit!”

Ellene

P S Here are some ways to learn more art information.
My website - http://ellenebreedlovedavis.com
My twitter - http://twitter.com/ellenebdavis
My facebook - http://facebook.com/ellenebdavis
Blog Talk Radio - http://ellenebreedlovedavisradio.com

Please join me in any of these venues.

Fine art for sale may seem to be an unlikely post title.  But my message in this post is meant to encourage you to be prepared with the knowledge and excitement to speak up and be heard that your paintings are for sale.

7 Tips to assist you in letting others know your paintings are for sale.

Question # 1 -  When you are asked “what do you do?’ speak up and say “I’m an Artist”, with pride and excitement.

Question # 2 will likely be “What do you like to paint?”

Question # 3 ” Do you paint plein air or from photos?

Question # 4 ” Do you have a studio?’

Question # 5 “Do you take commissions?”

Question # 6 “Do you teach?”

Question # 7 Do you have a business card?”

Have your answers prepared and be able to talk about them immediately!  All these questions may possibly be leading up to a commission or straight sale.

At the least your conversation with the viewer is building a relationship that can turn into a collector relationship for many years to come.

In the upper right corner of this blog post you will see a picture of an e-book.  I invite you to press this button, register with your name and e-mail and receive “Choosing To Be An Artist – For A Lifetime“.  It’s at no cost, and my gift to you.

This will also entitle you to receive the Valle of Yellow Creek Art Studio Blog that is published each 1st and 3rd Saturday. It’s full of helpful information whether you are a beginning or more advanced artist.

Honor Your Creative Spirit!

Ellene

Ellene Breedlove Davis

http://ElleneBreedloveDavis.com

http://ElleneBreedloveDavisRadio.com

http://twitter.com/ElleneBDavis

http://facebook.com/ElleneBDavis

These lines signify solidity in the foundations of paintings.

The combination of horizontal and vertical lines as in the Cross.  The Cross is a combination of lines that instantly rivets the attention, and probably has the most powerful effect upon the mind that could ever have been devised.

These lines and others help paintings have a natural appearance.  An emotional significance depending on some arrangement of abstract lines is to be found underlying the expression in every good painting, usually hidden by the artist.

Ellene

Ellene Breedlove Davis

http://ellenebreedlovedavis.com

http://ellenebreedlovedavisradio.com

http://twitter.com/ellenebdavis

http://facebook.com/ellenebdavis

In this drawing lesson we learn of horizontal and vertical boundary lines.

Horizontal and vertical lines are very important in rectangular pictures, as they unite the composition to its boundary lines by their parallel relationship.

As a contrast to the richness and beauty of curves they are of great value and are often used for this purpose.

Horizontal lines create a feeling of calm and contemplation. An example would be the long line of the horizon on a calm day at sea.  This line gives us a sense of peace and rest, a touch of infinity that no other line can convey.

The vertical line creates a feeling of elevation.  Picture a pine tree and how it is typical of the sublime that we associate with the vertical in nature.  Churchs often use their spires to create this vertical feeling of line for their impressiveness.

Ellene

Ellene Breedlove Davis

http://ellenebreedlovedavis.com

http://ellenebreedlovedavisradio.com

P S Above the header you will find a button that states “So You Want To Be An Artist?” I invite you to click this button, register with your name and e-mail address and receive my gift for you.

This report “Choosing to Be An Artist For A Lifetime” is written to encourage you to be the best artist you can be.  The first chapter is an interview by a gallery owner and artist, who has spent her life painting, teaching and encouraging many artists in their art accomplishments.

A perfect line has no artistic music.

There are two lines that have the least variation and they are the perfectly straight line and a circle. A perfectly straight line obviously has no variety at all. And, the circle, by curving at exactly the same ratio all around, has no variation of curvature.  It is of all curves the one with the least possible variety.

Line rhythm or music depends on the shape of your lines, their relation to each other and their relation to the edges (boundaries) of your paper or canvas. In all good work this music of line is in harmony with the subject (artistic intention) of your picture or drawing.

These two lines are the dullest and are not usually used in paintings except to enhance the beauty and variety of objects.

So if your lines aren’t perfectly straight and your circles aren’t  perfect, be glad, you have just added artistic music to your painting!

Ellene

Ellene Breedlove Davis

http://ellenebreedlovedavis.com

http://ellenebreedlovedavisradio.com

http://twitter.com/ellenebdavis

http://facebook.com/ellenebdavis

The study of rhythm and how it affects our paintings is not ony interesting but is very important to the artist.

There are two methods of dividing this subject, two points of view from which the subject can be approached.

Number 1 is Unity and Number 2 is Variety.  These are qualities that we think of as being opposed to each other, such as harmony and contrast in the realm of color.

Unity is concerned with the relationship of all the parts to that oneness of conception that should control every detail of a work of art. All the profound qualites, the deeper emotional notes, are on the side of unity in the subject.

On the other hand variety holds the secrets of charm, vitality and the picturesque.  It is the “dither” of the play between the larger parts, that makes for life and character. Without variety there can be no life.

I invite you to click on the “So You Want To Be An Artist” button at the top of the page, this will take you to the page to  register for a free 18 page report – Choosing To Be An Artist – For a Lifetime.  Just enter your name and email and the report will be on its way to you. This also entitles you to receive the Valle of Yellow Creek Art Studio Blog E-Zine at no charge to you.  It is published on the 1st and 3rd Saturday of each month.  The E-Zine has lots of art related information.  I’d love to have you as a member!

You will want to read the interview of a gallery owner and artist. It’s interesting to see how she has remained faithful to her calling of being an art teacher and artist for a lifetime.

Ellene

Ellene Breedlove Davis

http://ellenebreedlovedavis.com

http://ellenebreedlovedavisradio.com

http://twitter.com/ellenebdavis

http://facebook.com/ellenebdavis

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